Texas: A Celebration of Music, Food, and Wine, Roots of Virginia Culture: The Past is Present, Carriers of Culture: Living Native Basket Traditions, Nuestra Msica: Music in Latino Culture (2005), Haiti: Freedom and Creativity from the Mountains to the Sea, Nuestra Msica: Music in Latino Culture (2004), South Africa: Crafting the Economic Renaissance of the Rainbow Nation, The Baltic Nations: Estonia, Latvia, and Lithuania, Heartbeat: The Voices of First Nations Women, Russian Roots, American Branches: Music in Two Worlds, The Czech Republic: Tradition and Transformation, Culture and Development in Latin America and the Caribbean, Masters of Traditional Arts: The National Endowment for the Arts National Heritage Fellows, Creativity and Resistance: Maroon Culture in the Americas, The Changing Soundscape in Indian Country, Forest, Field and Sea: Folklife in Indonesia, Roots of Rhythm and Blues: The Robert Johnson Era, Les Ftes Chez Nous: France and North America, The Caribbean: Cultural Encounters in the New World, Ingenuity and Tradition: The Common Wealth of Massachusetts, Migration to Metropolitan Washington: Making a New Place Home, Music from the Peoples of the Soviet Union, Cultural Conservation and Languages: America's Many Voices, Cultural Conservation: Traditional Crafts in a Post-Industrial Age, Black Urban Expressive Culture from Philadelphia, National Heritage Fellowships Program (1983), National Heritage Fellowships Program (1982), Music and Crafts of the Southeastern United States, Community Activities and Food Preservation, Folklife in the Museum: A Nation of Nations (1978), Folklife in the Museum: Renwick Gallery (1978), Folklife in the Museum: A Nation of Nations (1977), Folklife in the Museum: Hall of Musical Instruments, Folklife in the Museum: Renwick Gallery (1977). Taquile musicians from Peru perform in the "Land in Native American Cultures" program at the 1991 Festival of American Folklife held on the National Mall, Washington, D.C. Exhibits Staff at Festival of American Folklife, 1993. He founded the Smithsonian Cultural Rescue Initiative. (1980), Ph.D. (1990) Indiana University. A relatively small but interesting and well-documented material culture collection includes iconic and other items from the Festival and the Centers projects. We work with communities in the United States and around the world to encourage the understanding, appreciation, and vitality of humanity's diverse living cultural heritage. A Lithuanian blacksmith demonstrates his skills in the Baltic Nations program during the 1998 Smithsonian Folklife Festival. Research specialties: City and regional planning, cultural sustainability, elevation of cultural practices to improve local economies. Intern at Smithsonian Center for Folklife and Cultural Heritage. Research specialties: Cultural anthropology, cultural heritage presentation and representation, cultural performance and social activism, museum programming and public engagement. How, then, could conservators make house calls around the country at facilities storing collections of art, artifacts, books, documents, photographs and scientific specimens that documented the richness of Ukraines history, art, culture and scientific achievement? Spirit in the Dark: Religion in Black Music, Activism and Popular Culture The Center for Folklife & Cultural Heritage (CFCH) is one of three cultural centers within the Smithsonian Institution in the United States. Research specialties: Public sector folklore and ethnomusicology,traditional musicand museums, popular folk musics of Latin America, mariachi music in Mexico and the U.S. (1996) Pontificia Universidad Catlica de Chile; M.A. (1987) University of Maryland. Mailing Address: Center for Folklife and Cultural Heritage Smithsonian Institution P.O. B.A. Ralph Carter Rinzler, 59, was former Assistant Secretary for Public Service and founding Director of the Festival of American Folklife. Explore full information about cafes in General Alvear, Buenos Aires Province and nearby. These were successfully concluded in 1987, and this collection became the core of the Ralph Rinzler Folklife Archives and Collections, a rich resource for the study of folk culture and music. Smithsonian Center for Folklife & Cultural Heritage Blog | Smithsonian Magazine Smithsonian Voices From the Smithsonian Museums Introducing Graphic Artist Jean Young's Powerful New. Contact:Diaz-CarreraC@si.edu, Holmgren, Meredith,Curator, American Womens Music. B.A. Russias war in Ukraine is particularly cruel in attacking civilian targets, and its also marked by a strong cultural elementone that is being met with resistance from not only Ukrainians, but also the international community and the Smithsonian Institution. Research specialties: cultural presentation and representation,cultural heritage policy, cultural disaster and response, material culture studies, museum controversies, indigenous knowledge systems, cultures of south Asia and the United States. View ratings, addresses and opening hours of best restaurants. Since then, the label has expanded on Asch's vision of documenting and preserving music and soundscapes from around the world. While the archive, filled with paper documentation and other memorabilia, is traditionally considered to be museum material, the other two sections exemplify more accurately the direction CFCH is headed, with a "shift from reified and ossified discourses of 'preservation' to more dynamic and ecological models of sustainability". At the 2007 Smithsonian Folklife Festival, visitors admire the Pakistani hand-painted truck originally brought to the Smithsonian for the 2002 Folklife Festival. (2009) University of Hawaii at Mnoa/East West Center; M.A. This paper defines the field as folklore and uses that term throughout its paper:[4]. (1985) Wichita State University; M.A. The Dalai Lama, 2000 Smithsonian Folklife Festival. Rajiv Shah, president of the Rockefeller Foundationrecalling the 2010 success of the Smithsonians Haiti Cultural Recovery Project hed supported when head of U.S. Agency for International Developmentpledged major support. (1971) University of California, Santa Barbara; M.Litt (1975) University of Edinburgh; M.S.L.S. Non-profit organizations based in Washington, D.C. Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License 3.0, Morris, James R. Smithsonian Impresario: A Memoir by James Morris (2011). Street and Delivery Address: Center for Folklife and Cultural Heritage Capital Gallery Building 600 Maryland Avenue SW Suite 2001 MRC 520 Washington, D.C. 20024. Contact:CadavalO@si.edu, Leopold, Robert, Research Associate. Dalai Lama at Smithsonian Folklife Festival, 2000. (1978) Arizona State University. Poshyvailo and fellow expert Vasyl Rozhko quickly formed the Heritage Emergency Response Initiative (HERI), an organized network of Ukrainian cultural workers, aiming to gather money and supplies, make deliveries, provide advice, and help secure and safeguard facilities and collections. An image dated two weeks later, on February 27, depicts the museum roofless with major damage, while other nearby buildings remained undamagedan indication that the museum was specifically targeted. By 2003, the follow-up treaty was entitled the Convention for the Safeguarding of the Intangible Cultural Heritage. Wegener received a message early on from the head of a university-based herbarium. (1996) Pontificia Universidad Catlica de Chile; M.A. Research specialties: Asian American history and culture, Los Angeles history and culture, urban history, public history, vernacular landscape. Seeger, Anthony, Smithsonian Folkways Recordings Curator and Director Emeritus. In concatenated form, it documents the shift from folklore to cultural heritage that has taken place in academics and in fieldwork within the last 15 years. Generous contributions from Edward and Helen Hintz and Brad Freeman have helped support the effort, as have family and friends of Jamie Seltzer and Logan Cohen who, in lieu of gifts to the newlyweds, and at their direction, donated to the Smithsonian Cultural Rescue Initiative. (2011) Leiden; M.Phil. James Deutsch is a curator and editor at the Center for Folklife and Cultural Heritage at the Smithsonian Institution. (1993), A.B.D. (1972); Ph.D. (1989) George WashingtonUniversity. Last year, with the Russian invasion of Ukraine on February 24, the lab ramped up its efforts employing still more satellites, including some with specialized sensors that can detect heat signatures to record kinetic activity. The Washington Monument can be seen in the distance. This intangible cultural heritage, transmitted from generation to generation, is constantly recreated by communities and groups in response to their environment, their interaction with nature and their history, and provides them with a sense of identity and continuity, thus promoting respect for cultural diversity and human creativity. Satellite imagery from November 1 reveals the large trucks parked at the side of the museum and another vehicle, a van, stationed in its courtyard. In a September 2022 presentation in New Yorks Ukrainian Museum during United Nations General Assembly week, Ukraines first lady Olena Zelenska and Ukrainian Ambassador to the U.S. Oksana Markarova clearly articulated this point. The Chinese Poetry Left at Angel Island, the "Ellis Island of the West" Angel Island Immigration Station was built in 1910 in the San . Theyve conducted inventories and composed condition reports. The monuments lauded Russian triumphs, from the czarist empire, to Stalin and victory over the Nazis in World War II, to Russian heroes of 2014. Research specialties: Indigenous, intercultural, and community media; digital media and performance;Afro-Brazilian expressive culture. The trips are daunting, as the conservators traverse war zones and find museums and facilities severely damaged, bereft of roofs and walls, and lacking power and utilities. B.A. Noting the Smithsonians mission as a national and international cultural institution to help protect heritage in times of war, Smithsonian Secretary Lonnie G. Bunch III declared: The Smithsonian stands with the people of Ukraine during their most urgent time of need. SCRI, coordinating with Aliph and working with Poshyvailo, arranged to send needed funds and supplies through its long-standing partner in the Netherlandsthe Cultural Emergency Response. In presenting the Smithsonians contribution to that effort, we could not have been prouder. Find on the map and call to book a table. With most of the worlds languages severely threatened, thousands of language communities have committed to revitalization eorts, from documentation and renewal to maintenance. Using satellite imagery, the labs team examined the cultural damage caused by another Haitian earthquake, Taliban attacks on cultural sites in Afghanistan and the treatment of cultural resources in areas contested by Armenian and Azerbaijani forces. University of California, Los Angeles. Director, Smithsonian Folklife Festival. The Hague Convention of 1954 followed, outlawing the purposeful destruction and looting of cultural property, which is so integral to a nations and to a peoples identity. Research specialties: Native American and Pacific Rim material culture, contemporary Native American art, museum practice. (2012) Leiden. We publish stories about music, food, craft, language, celebrations, activism, and the individuals and communities who sustain these traditions. Lithuanian Blacksmith at Smithsonian Folklife Festival, 1998. What unique knowledge is lost when a language has lost its last native speaker? The Ralph Rinzler Folklife Archives and Collections is a public resource home to hundreds of thousands of videos, films, photographs, sound recordings, and field reports that document cultural traditions, maintained with an increasing commitment to digital accessibility and shared stewardship. Smithsonian Folkways Recordings is the nonprofit record label of the Smithsonian. (1972) State University of New York, Buffalo; M.A. Since 2003, he has helped plan and develop public programs on California, China, Hungary, Peace Corps, Apollo Theater, Circus Arts, National Aeronautics and Space Administration, Mekong River, U.S. Forest Service, World War II . Now that the festival organization and model were well established, Rinzler began to explore other varieties of folklife productions appropriate for a national museum. B.A. Since 1967 the Smithsonian Folklife Festival has taken place at the National Mall and featured ongoing performances and demonstrations of contemporary cultural traditions. The Cultural Vitality Program works collaboratively with communities around the world to support the sustainability of homegrown forms of cultural and artistic production, especially in the areas of language, Indigenous culture, and craft. [8], The Smithsonian Folkways Recordings has as its stated mission to curate and provide public access to each item in their collection of folk music, spoken word, instruction, and sounds from around the world. This eclectic collection of artifacts and activities came together at the Center for Folklife & Cultural Heritage through a series of fortuitous and unplanned events. These . The charge for this inquiry was set forth in 1992 with passage of the European Charter for Regional or Minority Languages, which mandates protection and promotion of historical regional and minority languages in Europe. When we think about war, what comes to mind is that quest for power and territory, the violent use of destructive armaments and the horrific costs incurred in human lives lost and shattered. (2004 and 2012) University of Maryland. Ralph Rinzler Folklife Archives and Collections, Center for Folklife and Cultural Heritage | Smithsonian Institution Ralph Rinzler Folklife Archives and Collections, Center for Folklife and Cultural Heritage The Center for Folklife and Cultural Heritage is home to the Ralph Rinzler Folklife Archives and Collections. Senior Folklorist Emeritus. View of the Smithsonian Folklife Festival on the National Mall, 2004. (1977) University of North Carolina; Ph.D. (1988) University of Edinburgh. The Festival is an annual exposition of living culture held on the National Mall in Washington, D.C. for two weeks around the Independence Day holiday for audiences sometimes exceeding one million visitors. (1978) Kenyon College; M.L.S. Stryelnikova needed passenger vans to carry teams of up to 16 conservators daily along with equipment and supplies around the country to service stored but still endangered collections. The third team at CFCH manages and curates the Ralph Rinzler Folklife Archives and Collections. Research Associate. (1996) University of Kansas; Ph.D. (2001) University of Kansas. Free to the public, the Festival drew 8.25 million visitors on site and online in 2017. A plethora of newly minted compound concepts have been introduced into the vocabulary and discussion of culture since the turn of the century. Support the Folklife Festival, Smithsonian Folkways Recordings, Cultural Vitality Program, educational outreach, and more. The Smithsonian Folkways Record label comprises a second team working at the center; they produce this non-profit music label with the goal of promoting and supporting the cultural diversity of sound. B.A. (1996) University of Kansas; Ph.D. (2001) University of Kansas. Research specialties: Indigenous, intercultural, and community media; digital media and performance;Afro-Brazilian expressive culture. The company generously embraced the challenge. Notably, more than 500 are religious sitesplaces of worship and cemeterieswith those of the Ukrainian Orthodox Church specifically targeted. The centers collections are global in perspective, covering world ethnic performance traditions, spoken-word recordings, sounds of science and nature, occupational folklore and family folklore. South Africa Program at Smithsonian Folklife Festival, 1999. Toward the end of the fierce battle for Kherson in November 2022, museum staff at the Kherson Regional Art Museum reported that dozens of Russian specialists and aides haphazardly loaded two trucks with some 10,000 artworks without proper packing. This new platform is one of the ways in which the center is working to implement a strategic plan goal of convening conversations on topics of importance. Contact:NDiaye@si.edu, Place, Jeffrey, Curator and Senior Archivist. B.A. The Smithsonian collaborated with Haitian colleagues to establish facilities and training programs, saving and treating some 35,000 endangered artworks and artifacts. Working in collaboration with the Smithsonian initiative "Recovering Voices"., this interdisciplinary research program explores relationships between language revitalization, cultural heritage, and traditional cultural transmission. [note 3]. 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